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The Machine Seems to Need a Ghost

(but the ghost cannot quite make itself at home in the machine)

CHAPTER I - THE GHOST IN THE MUSEUM

At first there is random gaussian noise, a blank canvas on which neural networks pull pixels in statistical patterns.

Generative artificial intelligence can theoretically create any image, any combination of pixels selected from the latent space. However, in practice, every tool is shaped by specific technical choices and is contrained by the finite dataset of visual culture we feed it. The latent space shrinks into a smaller curated slice of visual possibilities.

Generative images become a haunted museum, a spectral gallery. A cold machine curated by our own existing preconceived notions of art. Ghosts of past images linger in the datasets, influencing and pulling the noise towards a bygone visual world.

Echoes of the frozen museum continue to influence future images. The white cube, white museum. Western dominant spectrums. Preset textures. Gradually loading and repeating their motifs in a sacred virtual white gallery space.

CHAPTER II - THE MUSEUM IN THE MACHINE

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Generative images are being produced at an ever increasing rate. They are posted online, spreading across websites, blogs, social media, gradually becoming part of our visual culture.

Artificial intelligence tools will be trained on artificial images and soon be subsumed by a majority of their own creations The feedback loop will repeat again and again the clichés of our visual world. Biases we created will amplify their influence, stereotypes will set deep roots until synthetic images will be unable to escape these forces.

We will continue to digitally industrialize our way of seeing the world, and slowly trap it in nostalgic representations of the past.



CHAPTER III - THE MACHINE IN THE BLACKHOLE

As automation and industrialization take hold of every aspect of our lives, jobs are destroyed, climate change looms over an inescapable future, and culture proliferates in a ceaseless, self-referential cycle of nostalgia.

As the loop gets stronger, images swirl along the event horizon, gravitational ghosts attract the spectrums of potential pixels into a more and more dense and limited space. Synthetic images generated by artificial intelligence will cement all our clichés, biases and stereotypes in a single dense black hole.

But these new artificial intelligence tools are also agents of chaos. For AI, there is never a correct answer, only a probable one. And sometimes, through the improbable, a new path emerges. Randomness, hallucinations, errors - these perceived shortcomings of AI could also be a statistical emulation of humanity and creativity.

As a black hole aborbs all and engulfs light itself, structures loop around the collapsing star, matter stretchs until atoms come apart, all is obliterated and travels past the event horizon.

However, beyond that, no one knows what might emerge on the other end.
CHAPTER I - THE GHOST IN THE MUSEUM (extracts)
CHAPTER II - THE MUSEUM IN THE MACHINE (extracts)
CHAPTER III - THE MACHINE IN THE BLACK HOLE (extracts)